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The film opens with a disquieting, effective scene centering on an adorable toddler, then moves on to other, often seemingly unconnected sequences. Peach farmer Dori Sanders expounds on the wonders of food stories and how they bring people together. The film won the Grand Prix at the Cannes Film Festival, and was nominated for the Palme d’Or. Readers around the country owe a debt to Harold Hayes, whether they know if or not. At times, the pace is slow and leaden as the EMTs ride along in near silence. Fair warning: “Still Mine” might have you in tears by the end. Susie was at the signing ceremony to add her paw print to the legislation. The dialogue is sparse, but the emotions — joy, sadness, regret — are etched into the expressive face of Saul Williams, the American actor, poet and musician who portrays Satche. A surprising friendship is at the heart of “This is Martin Bonner,” a quiet but likable film directed by Chad Hartigan, a UNC School of the Arts graduate. That’s the theme running through Fredrik Stanton’s mesmerizing film, “Uprising,” which follows in real-time the youth-led movement to topple Hosni Mubarak’s 30-year reign. Books and Nova are two soldiers deep behind enemy lines in Vietnam, fighting their way past wave after wave of enemy fighters as they go on a rescue mission. Books (Robert Baker) has an existential dilemma at the thought, but Nova (a scene-stealing Brent Chase) is gleefully indifferent, enjoying the mayhem around him. What follows is a series of misadventures as Suzanne tries to rebuild her life, constantly reminded of the supposed Yuletide joy around her. This well-paced documentary shows the often grueling and exacting preparation that goes into top circus acts, and the artistry, history and tradition that informs circus performance from around the world.
There isn’t that much of a narrative thread to this film, but that isn’t necessarily a slam; instead, the film is more of a mood piece, following a young family that moves to the Mexican countryside. York manages to get to their cores in just two or three minutes of screen time each in most cases. Aniello Arena stars as Luciano, an affable fishmonger who is content with his low-key life until he is encouraged to audition for the Italian version of the reality show “Big Brother.” A casual interest turns into an obsession as he waits for word of whether he will be picked to be on the show, and his tendencies as a natural ham performing for family and customers lead him to imagine himself on the verge of superstardom. This is a fascinating look inside the magazine business. At one point, they’re sent on an emergency call, only to realize that their patient has been dead for several days. Bujold (“Anne of the Thousand Days”) is heartwrenching as Irene, giving a performance that is nuanced and believable. There are some good shots that are seen through Susie’s eyes. Bev Purdue signed Susie’s Law into effect, adding some teeth to animal cruelty laws. With that premise in mind, Director Alain Gomis has made a haunting and poetic movie centered on Satche, a Senegalese man, on his last day of life. People who have been caged too long know what freedom means and will die to get it. This live-action film, from legendary producer Roger Corman, takes us inside the lives of two men who are doomed to repeat their actions over and over until they get them right. including an affair with a stripper, whom Suzanne decides she must meet. and his lion act; aerial acrobats from Troupe Yakubov and Cirque Du Soleil Alegria; Duss Family Sea Lions; and clown Rob Torres.
Todd Berger wrote and directed this dark comedy about four couples who have gathered for their usual Sunday quadruple date. The film, directed by David Fenster, has some charms, particularly scenes with his father that highlight the brilliant moments of truth and clarity that can come from a mind in dementia.
Be warned: There is no such thing as a harmless couples brunch. He meets an attractive yoga instructor, but you keep wondering why she’s bothering with him.
And it’s all wrapped in a cultural poem to modern Appalachia. One of the covers he oversaw featured Andy Warhol drowning in a can of tomato soup. In Sofia, Bulgaria, 13 ambulances serve a population of 2 million people. James Cromwell, who was nominated for an Academy Award for “Babe,” which is also being shown at River Run, plays Craig Morrison, an elderly man who runs afoul of local building authorities when he starts building a new home with his own hands. Donna Lawrence found her and with the help of the community nursed the almost dead puppy back to health Through caring for the puppy Lawrence became an advocate for strengthening North Carolina’s animal cruelty laws. This bittersweet holiday drama — with dark comedic elements — comes from writer/director Zach Clark, an alumnus of the UNC School of the Arts.
The cameras seem to be everywhere at the right time, and the editing and pacing are excellent. He also put an emphasis on clever photos and graphics. Michael Mc Gowan’s “Still Mine” is a story about a man fighting The Man. Many folks around here will recognize Susie as the puppy that was found beaten, set on fire and left for dead in a Greensboro park in 2009.
This charming documentary looks the life of George Plimpton, the writer and raconteur who became the ultimate example of participatory journalism. York will attend the free screening, and a local-food event will follow at p.m. Don Vaughan, the sponsor of Susie’s Law, and Susie plays herself as an adult dog. Somehow, the film is not sunk down in sadness; instead, death, an ever-present character, is the one who is pushing Satche into cherishing life, even as it slips away. But they bond, sharing a certain loneliness and a desire to reconnect with family members. But there is a subtle humor to the film, which won the Best of Next audience award at this year’s Sundance Film Festival. Director Grant Hamilton, who will attend the River Run screenings, has crafted an enlightening documentary, one that gives us hope that today’s children will still get to grow up with boxes of photographs in their closets, rather than just digital images that never make it out of their hard drives. We follow the movement from the beginning and watch it grow, until throngs of people march through Egyptian streets to face armed police.
It’s an interesting, well-balanced documentary that uses the murals, as well as historical footage, to chronicle the history of the troubles. With so many potentially gimmicky elements thrown in, it would have been easy for the film to become a lark. Her eye for talent was legendary, and her resume is filled with many memorable films. Vidinliev is a charismatic lead, and director Emil Hristow skillfully blends everything from classic spy thrillers to absurdist comedy to David Lynch-style surrealism. All of them are smitten with him in one way or another, no one more so than Eva. David Redmon and Ashley Sabin produced, directed and photographed this documentary that centers on a small town in Maine that is reeling from the 2010 closing of Stinson Cannery, the last sardine cannery in the United States. “First comes love, then comes marriage, then comes Nina with the baby carriage.” That’s how the old schoolyard song would have gone. Clemens is a stranger in a strange land, befriended by a bombastic American (Garret Dillahunt of “Raising Hope”) as he struggles to make contact with the elusive figure he has been sent to recruit. They devour the essays with the zeal of soap-opera fans. The dynamics of the film also allow Cross to show he’s adept at playing a “normal” guy, as he tries to offer a voice of reason through the crisis while the friends go through their maturation process. “It’s amazing what one little video clip can do,” musician Jake Shimabukuro says in this documentary about his life. There’s a sense of menace percolating beneath the surface of “La Sirga,” a feeling that something terrible is about to happen. When Laurence opens up to his girlfriend, whose name is Fred, she tries valiantly to adapt and lend her support as Laurence begins dressing and living as a woman. Legendary director Ingmar Bergman has his own spotlight at this year’s River Run, with four of his films being shown. The translation is a bit rough in spots, but what’s lost in subtitles is found in the engaging performances from the actors playing Joaquin and David. — Roger Moore, Mc Clatchy-Tribune “The Naked Brand” 3 stars, TN. And when a corporation does something bad, it’s a lot harder to hide their misdeeds. After hearing her say that she wants a man who can make her laugh, Stefan sets out to become her funny man, going so far as to enlist the help of a crass comedian, with predictably cringeworthy results. Director Kevin Schreck will attend the April 13 and 14 screenings. The two become friends, Claire oblivious to Henry’s obvious feelings for her. But the characters are interesting enough to make this a ride worth taking.
The town selectmen are skeptical, but that may be because some of them will compete with Bussone in buying up the local lobster catch. He gets one from Steve (Steve Holzer), who gives Carter a large painting — and turns up dead shortly thereafter. He sets out on a zany quest to prove his innocence, encountering all manner of shady characters in the process. The film follows her on this journey, and it’s not always pleasant. He loved taking home movies and the movie includes footage that he shot. Google’s unofficial motto is “Don’t be evil.” But there are plenty of people who would argue that Google’s efforts to create a digital memory that is accessible to everyone violate that slogan. — Scott Hamilton “Jake Shimabukuro: Life on Four Strings” 3 stars, TN. He now tours the world, performing everything from traditional Hawaiian music to rock on his little, four-stringed instrument. Director William Vega establishes a pace that’s slow, but hypnotic. Melvil Poupaud gives a believable and restrained performance as Laurence, never tipping over into camp, and Suzanne Clement ably conveys Fred’s complex range of emotions. Hale and Brannagh both deliver strong, endearing performances, molding characters that you can root for. “Persistence” touches on his successes, his groundbreaking animation work on “Who Framed Roger Rabbit” and “A Christmas Carol,” both of which earned him Oscars, and his work with the animators he taught. In between, “Persistence” is at its heart the history of animated film, told in living color and with live-action animators.
— Tim Clodfelter “The Color of the Chameleon” 3 ½ stars, MT. — Tim Clodfelter “The Deflowering of Eva Van End” 3½ stars, MT. It’s quirky throughout, sometimes very funny, sometimes very disturbing — including a scene that animal lovers will find hard to watch — but ultimately uplifting. The townspeople seem mostly of retirement age but they can’t afford to retire, so they are all for reopening the factory. The morning after a wild party, a hung-over Carter needs a ride. So she persuades a friend to provide the necessary sperm, and she gets pregnant. He and his family left Russia in 1917, on the eve of the Russian Revolution, for a four-month American tour. The movie has archival footage of Heifetz playing from the time he was a teenager until he was in his 70s. But, keeping with the theme of the day, even his seemingly simple solution isn’t that simple. The video went viral and turned Shimabukuro into an international ukulele star. He lets her stay, and she proves to be an asset, helping prepare the dilapidated inn for tourists — although it’s hard to imagine anyone wanting to visit this remote, unwelcoming spot in the highlands of the Andes. The story is compelling, but the actors are what really keep the film afloat. The documentary provides some fascinating insights into Bergman’s career and personal life, and is a thoughtful profile of a doomed romance, though it is more for fans of his work than for newcomers. It’s a briskly moving and very interesting documentary, even if it does feel a little unfocused from time to time. It doesn’t spoon-feed the audience, letting viewers fill in a few of the blanks on their own. His struggle is captured in the striking documentary “Persistence of Vision.” Williams refused to be in-terviewed for the documentary, but through file footage Williams speaks, sharing his first drawings, the creation of his signature style and his belief in the art of animated films.
A fender-bender next to an antique store has Alice doing something she shouldn't — swiping an ornate, baroque brass teapot. The "pain" of the car crash has led to a wad of money popping out of it. Pinch, punch or cut yourself, or sock John in the kisser, and money comes out. This briskly-paced Mexican documentary has little dialogue, letting the impressive footage and the musical score take over instead. And it’s a huge responsibility; think of an iconic performance in a film and imagine it being played by someone else. Francois Ozon, who directed “Potiche,” the popular closing film of the 2011 River Run festival, delivers another winner with “In the House,” a mesmerizing, darkly funny French film. The usual drama materializes, such as revelations of infidelity and jealousy.
This star-filled documentary looks at the largely unsung work of casting directors, those people who work with a film’s producers and director to find the right actors and actresses to fill the roles. All of the characters have shared histories save for David Cross (“Men in Black,” “Arrested Development”), who is meeting the group for the first time because he’s on a date with Julia Stiles. Pincus, a young man taking care of his father who has Parkinson’s disease, is trying to run a construction business with a quirky German worker who is in the U. But Pincus just isn’t likable, and that makes his journey only mildly interesting.